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		<TitleText>Where Shadows Will</TitleText>
		
		<Subtitle>Selected Poems 1988-2008</Subtitle>
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		<PersonNameInverted>Cole, Norma</PersonNameInverted> 
		<NamesBeforeKey>Norma</NamesBeforeKey> 
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		<BiographicalNote>&lt;p&gt;Born in Toronto, Canada, Norma Cole received an MA in French from the University of Toronto in 1967, moving to France in time to absorb the revolutionary atmosphere of the May '68 general strike.  Returning to Toronto in the early '70s, she migrated to San Francisco in 1977, where she has lived ever since.  A member of the circle of poets around Robert Duncan in the ’80s, and a fellow traveler of San Francisco’s language poets, Cole is also allied with contemporary French poets like Jacques Roubaud, Claude Royet-Journoud, and Emmanuel Hocquard.  Her translations from the French include Hocquard’s &lt;em&gt;This Story Is Mine&lt;/em&gt; (Instress, 1999), &lt;em&gt;Crosscut Universe: Writing on Writing from France &lt;/em&gt;(Burning Deck, 2000), &lt;em&gt;Danielle Collobert’s Notebooks&lt;/em&gt; 1956-1978 (Litmus, 2003), and Fouad Gabriel Naffah’s &lt;em&gt;The Spirit God&lt;/em&gt; and the &lt;em&gt;Properties of Nitrogen&lt;/em&gt; (Post-Apollo, 2004).  She has taught at many schools, including the University of San Francisco and San Francisco State.  During winter 2004/05, Cole could be seen inhabiting a 1950s living room as part of the California Historical Society’s Collective Memory installation series.  More recently, she curated a show by Marina Adams at the Cue Arts Foundation in NYC.&lt;/p&gt;</BiographicalNote>
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		<Text language="eng">&lt;P&gt;&lt;strong&gt;&lt;em&gt;Where Shadows Will&lt;/em&gt; is a finalist for the 2010 Northern California Independent Booksellers Association Poetry Book of the Year.&lt;/strong&gt;&lt;/p&gt;
&lt;P&gt;&lt;a target="blank" href="http://www.citylightspodcast.com/anselm-berrigan-norma-cole-launch-new-city-lights-poetry-series/"&gt;&lt;/a&gt;&lt;strong&gt;Visit our podcast page to hear Norma Cole reading from &lt;em&gt;Where Shadows Will&lt;/em&gt; at City Lights.&lt;/strong&gt;&lt;/p&gt;
&lt;P&gt;The first installment of our new Spotlight poetry series, &lt;em&gt;Where Shadows Will&lt;/em&gt; selects from twenty years of innovative writing by Bay Area poet, translator, and visual artist Norma Cole. Beginning with her earliest collection, &lt;em&gt;Mace Hill Remap&lt;/em&gt; (1988), and taking us up through her recent &lt;em&gt;NATURAL LIGHT &lt;/em&gt;(2008), &lt;em&gt;Where Shadows Will&lt;/em&gt; is a comprehensive overview of Cole's melodic and experimental poetry, whose shadow-haunted landscapes embody a theory-informed exploration of the relationship between language, self, and world. By turns severe and exuberant, &lt;em&gt;Where Shadows Will&lt;/em&gt; confirms Cole's place as a major avant-garde poet and a leading voice among contemporary innovative women writers.&lt;/p&gt;
&lt;P&gt;&lt;/p&gt;
&lt;P&gt;&lt;strong&gt;Praise for Norma Cole's &lt;em&gt;Spinoza and Her Youth&lt;/em&gt;:&lt;/strong&gt;&lt;/p&gt;
&lt;P&gt;"She is a poet of consummate intelligence, a deft and compassionate company, who may now not, in Robert Duncan's phrase, remember whether she 'read' or 'wrote' this wonderous book."&lt;br /&gt;
—Robert Creeley&lt;/p&gt;</Text>
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		<Text language="eng">First volume of the new City Lights Spotlight series: selected poems by a major avant-garde woman poet.</Text>
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		<Text>&lt;p&gt;"&lt;em&gt;Shadows&lt;/em&gt; demonstrates the continuity of [Cole's] efforts from poem to poem, book to book, year to year. . . [The collection] crystallizes questions from throughout Cole's career: to what extent is personal experience shared or universal, and what, exactly, is our 'backyard,' anyway? Ancient Egypt? The modern-day Congo? The entire solar system?"&lt;br /&gt;
—Chris McCreary&lt;/p&gt;</Text>
		<TextSourceTitle>The Poetry Project Newsletter</TextSourceTitle>
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		<Text>&lt;p&gt;"Compatriot of a whole generation of French poets whose names are legion--Roubard, Hocquard, Claude-Royet, Collobert--Norma Cole is one of contemporary poetry's quintessential radicals; such a thing is thought beyond these shores.  That her new book, &lt;em&gt;Where Shadows Will: Selected Poems 1988-2008&lt;/em&gt; (City Lights books, 2009), confirms this beyond doubt. It seems a document of the intense skirmishes at the beginning of time, when tone was utterly impersonal, maximally capacious....Always political (seldom yet knowingly politicized, as in "'I Saw Shells...'") in its refusal to yield to the demands of a more strident poetics, her work is of a paradoxically pleasant and thoroughgoing antinomian difficulty. It hasn't given up on any ground gained."&lt;/p&gt;
&lt;p&gt;—David Lau&lt;/p&gt;</Text>
		<TextSourceTitle>Lana Turner</TextSourceTitle>
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		<Text>&lt;p&gt;"&lt;span&gt;For the inaugural volume in its new Spotlight series, a sequel to City Lights' famous Pocket Poets line (in which Ginsberg's &lt;em&gt;Howl&lt;/em&gt; first appeared), the publisher has chosen this retrospective collection by San Francisco poet Cole. A disciple of Robert Duncan, Cole casts her short poems in jagged verse and prose blocks, by turns abstract ("Imaginations law hits frames"), surreal (“Bark grew up over their faces”) and painterly in a manner that will be familiar to fans of Barbara Guest: “This is the image of effort.” Other pieces work more like disjunctive fables: one such prose poem describes how “A little of life simply escapes from a shallow dish.” Cole is far better known on the West Coast and in experimental poetry circles than anywhere else; in fact, her work is surprisingly accessible given its avant garde origins and ambitions—beautiful phrases and lines leap off the page (“Then his/ signature will have taken place,” reads one poem)—and this concise gathering of poems from her 15 small press books should bring Cole much deserved attention."&lt;/span&gt;&lt;/p&gt;</Text>
		<TextSourceTitle>Publisher's Weekly</TextSourceTitle>
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		<Text>&lt;p&gt;"Some poets have a wide library of works, and you'll miss the brightest gems unless you look really closely. "Where Shadows Will: Selected Poems 1988-2008" takes the best of Norma Cole's work from over twenty years, and places it all in one collection as part of City Lights' Spotlight series. An excellent collection to start the series with, "Where Shadows Will" is a poetry reader's delight."&lt;/p&gt;
&lt;p&gt;—James A. Cox&lt;/p&gt;</Text>
		<TextSourceTitle>Midwest Book Review</TextSourceTitle>
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		<Text>&lt;p&gt;"Cole's verse ranges vastly in form and subject, with a large selection of prose poems. Her dialogue with contemporary French poetry is especially evident . . . Even with a half-hearted listen, it's easy to tell that Cole’s poetry is different. &lt;em&gt;Where Shadows Will&lt;/em&gt; offers only the beginning of an introduction, a whetting of the palate."&lt;/p&gt;
&lt;p&gt;—Molossus&lt;/p&gt;</Text>
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		<Text>"'Where shadows will.' The line becomes a luminous mantra through which we open to multiple and different ways of seeing darkness, that re-arrange not only vision but expected syntax all in order to 'figure out' what is being figured without the usual methods of image or vision to do so." —Laura Hinton</Text>
		<TextSourceTitle>Chant de la Sirene</TextSourceTitle>
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