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		<TitleText>Atet A.D.</TitleText>
		
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		<PersonNameInverted>Mackey, Nathaniel</PersonNameInverted> 
		<NamesBeforeKey>Nathaniel</NamesBeforeKey> 
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		<BiographicalNote>Nathaniel Mackey, recipient of a 1993 Whiting Writers Award, is the author of &lt;em&gt;Eroding Witness &lt;/em&gt;(1985), &lt;em&gt;School of Udhra &lt;/em&gt;(1993), &lt;em&gt;Whatsaid Serif &lt;/em&gt;(1998), &lt;em&gt;Bedouin Hornbook &lt;/em&gt;(1986), and &lt;em&gt;Djbot Baghosuss Run &lt;/em&gt;(1993), as well as &lt;em&gt;Discrepant Engagement: Dissonance Cross-Culturality, and Experimental Writing &lt;/em&gt;(1993). He teaches literature at the University of California at Santa Cruz.</BiographicalNote>
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		<Text language="eng">&lt;P&gt;The letters in &lt;I&gt;Atet A.D.&lt;/I&gt; span a seven-month period from shortly after Thelonious Monk's death to the former Mystic Horn Society's recording an album on John Coltrane's birthday. Written by composer and multi-instrumentalist N., this imaginative work transcibes black music into a kind of postmodern narrative: part philosophy, part confessional folklore.&lt;/P&gt;&lt;P&gt;&lt;B&gt;Nathaniel Mackey&lt;/B&gt;, recipient of a 1993 Whiting Writer's Award, is the author of &lt;I&gt;Eroding Witness&lt;/I&gt;, &lt;I&gt;School of Udhra&lt;/I&gt;, &lt;I&gt;Whatsaid Serif&lt;/I&gt;, &lt;I&gt;Bedouin Hornbook&lt;/I&gt;, and &lt;I&gt;Djot Baghosus's Run&lt;/I&gt;, as well as &lt;I&gt;Discrepant Engagement: Dissonance, Cross-Culturality, and&lt;/I&gt; &lt;I&gt;Experimental Writing&lt;/I&gt;. He teaches literature at the University of California at Santa Cruz.&lt;/P&gt;</Text>
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		<Text language="eng">The letters in Atet A.D. span a seven-month period from shortly after Thelonious Monk's death to the former Mystic Horn Society's recording an album on John Coltrane's birthday. Written by composer and multi-instrumentalist N., this imaginative work...</Text>
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		<Text>"Mackey, with his nuanced knowledge of jazz, convinces the reader that music operates like a language, with all the power to convey, say, a specific feminist critique of male-centered jazz culture, or to acquire levels of symbolism that would make Dante wonder if he should have taken up sax."</Text>
		<TextAuthor>from the starred review in &lt;i&gt;Publishers Weekly &lt;/i&gt;</TextAuthor> 
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		<Text>"&lt;i&gt;Atet A.D&lt;/i&gt;. is a fascinating work of poetic/musical fiction-storytelling that plays with, and is inspired by, language and the mystical concepts and connections that arise unbidden from the manipulation of metaphor and meaning, while simultaneously fueled by the sounds and energy of American jazz which Mackey views as a source of spiritual and sexual discipline and discovery"</Text>
		<TextAuthor>Art Lange, &lt;i&gt;Pulse&lt;/i&gt;</TextAuthor> 
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