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		<TitleText>San Francisco Beat</TitleText>
		
		<Subtitle>Talking with the Poets</Subtitle>
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		<PersonNameInverted>Meltzer, David</PersonNameInverted> 
		<NamesBeforeKey>David</NamesBeforeKey> 
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		<BiographicalNote>&lt;p&gt;A poet at age 11, David Meltzer began his literary career during the Beat heyday in San Francisco and early on took his poetry to jazz for improv wonders, which he continues to astound listeners &lt;br /&gt;with today. He is the author of many volumes of poetry including &lt;em&gt;The Clown&lt;/em&gt;, &lt;em&gt;The Process&lt;/em&gt;, &lt;em&gt;Arrows: Selected Poetry, 1957 - 1992&lt;/em&gt;, &lt;em&gt;No Eyes: Lester Young&lt;/em&gt;, &lt;em&gt;Beat Thing&lt;/em&gt;, and &lt;em&gt;David's Copy&lt;/em&gt;. City &lt;br /&gt;Lights in San Francisco published his most recent book, &lt;em&gt;When I Was A Poe&lt;/em&gt;t, as # 60 in the Pocket Poet's Series. He has also published fiction and essays including &lt;em&gt;Two-Way Mirror: A &lt;br /&gt;Poetry Notebook&lt;/em&gt; and has edited numerous anthologies such as &lt;em&gt;Reading Jazz, Writing Jazz&lt;/em&gt;, and &lt;em&gt;San Francisco Beat: Talking with the Poets&lt;/em&gt;. David Meltzer composed, performed and recorded as &lt;br /&gt;a singer/songwriter during the 60s and 70s; albums include Serpent Power and Poet Song. He taught in the Humanities and graduate Poetics programs at the New College of California in San Francisco for 30 years. He is now performing in and around the Bay Area with his wife, poet Julie Rogers. In 2011 he will receive the &lt;em&gt;SF Bay Guardian&lt;/em&gt;'s Lifetime Achievement Award.&lt;/p&gt;&lt;p&gt;&lt;/p&gt;</BiographicalNote>
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		<Text>&lt;P&gt;&lt;em&gt;San Francisco Beat&lt;/em&gt; is an essential archive of the Beat Generation, a rich moment in a fortunate place. America-somnolent, conformist, and paranoid in the 1950s-was changed forever by a handful of people who refused an existence of drudgery and enterprise, opting instead for a life of personal, spiritual, and artistic adventure. In these intimate, free-wheeling conversations, a baker's dozen of the poets of San Francisco talk about the scene then and now, the traditions of poetry, and about anarchism, globalism, Zen, the Bomb, the Kabbalah, and the Internet.&lt;/P&gt;&lt;P&gt;Thirty years ago, poet David Meltzer interviewed his poet friends for &lt;em&gt;The San Francisco Poets.&lt;/em&gt; Now in &lt;em&gt;San Francisco Beat&lt;/em&gt; he has combined these classic interviews with recent follow-up. &lt;em&gt;San Francisco Beat&lt;/em&gt; features major new interviews with Philip Lamantia, Joanne Kyger, Gary Snyder, Jack Hirschman, Diane di Prima, Jack Micheline, Philip Whalen, and David Meltzer himself. &lt;/P&gt;&lt;P&gt;&lt;strong&gt;David Meltzer &lt;/strong&gt;is the author of many books of poetry, including &lt;em&gt;Tens, The Name, Arrows: Selected Poetry 1957-1992,&lt;/em&gt; and &lt;em&gt;No Eyes: Lester Young.&lt;/em&gt; He is the editor of &lt;em&gt;Birth, The Secret Garden, Reading Jazz,&lt;/em&gt; and &lt;em&gt;Writing Jazz,&lt;/em&gt; among other collections. His agit-smut fictions include &lt;em&gt;The Agency Trilogy.&lt;/em&gt; Meltzer read poetry at the Jazz Cellar in the 1950s and in the 1960s fronted the band, Serpent Power. Meltzer teaches poetics at New College of California. &lt;/P&gt;&lt;P&gt;&lt;strong&gt;Table of Contents/Interviewed Authors&lt;/strong&gt;&lt;/P&gt;&lt;P&gt;Preface&lt;BR&gt;Acknowledgments&lt;/P&gt;&lt;P&gt;Diane di Prima (1999)&lt;BR&gt;William Everson (1971)&lt;BR&gt;Remembering Everson (1999)&lt;BR&gt;Lawrence Ferlinghetti I (1969)&lt;BR&gt;Lawrence Ferlinghetti II (1999)&lt;BR&gt;Jack Hirschman (1998)&lt;BR&gt;Joanne Kyger (1998)&lt;BR&gt;Philip Lamantia (1998)&lt;BR&gt;Michael McClure I (1971)&lt;BR&gt;Michael McClure II (1999)&lt;BR&gt;David Meltzer (1999)&lt;BR&gt;Jack Micheline (1994)&lt;BR&gt;Kenneth Rexroth (1971)&lt;BR&gt;Remembering Rexroth (1971)&lt;BR&gt;Gary Snyder (1999)&lt;BR&gt;Lew Welch (1971)&lt;BR&gt;Philip Whalen (1999)&lt;/P&gt;&lt;P&gt;Bibliographies&lt;/P&gt;&lt;P&gt;&lt;strong&gt;Preface&lt;/strong&gt;&lt;/P&gt;&lt;P&gt;&lt;em&gt;Nothing is hidden;&lt;BR&gt;As of old&lt;BR&gt;All is clear as daylight&lt;/em&gt;&lt;BR&gt;-Anonymous haiku, 16th century&lt;/P&gt;&lt;P&gt;&lt;em&gt;San Francisco Beat: Talking with the Po</Text>
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		<Text> San Francisco Beat is an essential archive of the Beat Generation, a rich moment in a fortunate place. America-somnolent, conformist, and paranoid in the 1950s-was changed forever by a handful of people who refused an existence of drudgery and...</Text>
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		<Text>&lt;p&gt;&lt;strong&gt;Contents&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;em&gt;Preface&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Acknowledgments&lt;/em&gt;&lt;/p&gt;&lt;p&gt;Diane di Prima (1999)&lt;br /&gt;William Everson (1971)&lt;br /&gt;Remembering Everson (1999)&lt;br /&gt;Lawrence Ferlinghetti I (1969)&lt;br /&gt;Lawrence Ferlinghetti II (1999)&lt;br /&gt;Jack Hirschman (1998)&lt;br /&gt;Joanne Kyger (1998)&lt;br /&gt;Philip Lamantia (1998)&lt;br /&gt;Michael McClure I (1971)&lt;br /&gt;Michael McClure II (1999)&lt;br /&gt;David Meltzer (1999)&lt;br /&gt;Jack Micheline (1994)&lt;br /&gt;Kenneth Rexroth (1971)&lt;br /&gt;Remembering Rexroth (1971)&lt;br /&gt;Gary Snyder (1999)&lt;br /&gt;Lew Welch (1971)&lt;br /&gt;Philip Whalen (1999)&lt;/p&gt;&lt;p&gt;&lt;em&gt;Bibliographies&lt;/em&gt;&lt;/p&gt;</Text>
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