Daphne A. Brooks
Wednesday, February 24, 2021, 6:00 p.m. PT / 9:00 p.m. ET, This is a virtual event which will be held on the Zoom platform. Click the link in the event description for info.
discussing her new book
Liner Notes for the Revolution: The Intellectual Life of Black Feminist Sound
published by Belknap Press / Harvard University Press
This is a virtual event that will be hosted by City Lights on the Zoom platform. You will need access to a computer or other device that is capable of accessing the internet. If you have not used Zoom before, you may consider referencing Getting Started with Zoom.
Event is free, but registration is required.
(Click Here) to register. (link to be posted soon)
(Click Here) to purchase book. (link to be posted soon)
An award-winning Black feminist music critic takes us on an epic journey through radical sound from Bessie Smith to Beyoncé.
Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of Black women on stage and in the recording studio. How is it possible, she asks, that iconic artists such as Aretha Franklin and Beyoncé exist simultaneously at the center and on the fringe of the culture industry?
Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures—a perspective informed by the overlooked contributions of other Black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer Black feminist critic of modern culture, and Pauline Hopkins as America's first Black female cultural commentator. Brooks tackles the complicated racial politics of blues music recording, song collecting, and rock and roll criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers Cécile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as cultural historians.
With an innovative perspective on the story of Black women in popular music—and who should rightly tell it—Liner Notes for the Revolution pioneers a long overdue recognition and celebration of Black woman musicians as radical intellectuals.
Daphne A. Brooks is author of Jeff Buckley's Grace and Bodies in Dissent, winner of the Errol Hill Award for outstanding scholarship in African American performance studies. A professor at Yale University, she has written liner notes to accompany the recordings of Aretha Franklin, Tammi Terrell, and Prince, as well as stories for the New York Times, The Guardian, The Nation, and Pitchfork.
Praise for Liner Notes for the Revolution :