Fiamma Montezemolo & Josh Kun celebrate the release of Tijuana Dreaming: Life and Art at the Global Border
Thursday, May 9, 2013, 7:00 P.M., City Lights Bookstore, San Francisco
Fiamma Montezemolo & Josh Kun
celebrate the release of
Tijuana Dreaming: Life and Art at the Global Border
published by Duke University Press
with guest readers Heriberto Yepez, Tarek Elhaik, and Donna Conwell
Tijuana Dreaming is an unprecedented introduction to the arts, culture, politics, and economics of contemporary Tijuana, Mexico. With many pieces translated from Spanish for the first time, the anthology features contributions by prominent scholars, journalists, bloggers, novelists, poets, curators, and photographers from Tijuana and greater Mexico. They explore urban planning in light of Tijuana's unique infrastructural, demographic, and environmental challenges. They delve into its musical countercultures, architectural ruins, cinema, and emergence as a hot spot on the international art scene. One contributor examines fictional representations of Tijuana's past as a Prohibition-era "city of sin" for U.S. pleasure seekers. Another reflects on the city's recent struggles with kidnappings and drug violence. In an interview, Néstor García Canclini revisits ideas that he advanced in Culturas híbridas (1990), his watershed book about Latin America and cultural hybridity. Taken together, the selections present a kaleidoscopic portrait of a major border city in the age of globalization.
What has been said of Tijuana Dreaming:
"An eclectic anthology of critical cultural studies, Tijuana Dreaming brings to life the tumultuous history of the border town's shifting identity: the Prohibition-era booze-and-brothel magnet adjacent to San Diego, the late-twentieth-century booming free-trade zone of globalized assembly plants, and, most recently, the bloody site of today's horrific drug-war violence. . . . [T]he volume’s overall high quality makes for a stimulating . . . read." - Richard Feinberg, Foreign Affairs
"This is an exciting and timely collection of cultural criticism and creative work. The selections are inspired, alert to a wide spectrum of practices and debates. Personal narratives, urban development, art, literature, photography, and architecture are just some of the matters covered in this rich and thought-provoking conversation, and the foreword by Iain Chambers provides the perfect framing device, linking Tijuana to global studies and critical inquiry."—Roberto Tejada, author of National Camera: Photography and Mexico's Image Environment
About the Editors:
Josh Kun is a professor in the Annenberg School for Communication and Journalism and the Department of American Studies and Ethnicity at the University of Southern California. He is the author of Audiotopia: Music, Race, and America and coeditor of Sound Clash: Listening to American Studies.
Fiamma Montezemolo is an anthropologist and artist currently teaching in the Department of Art Practice at the University of California, Berkeley. She is the author of Faceless: Ethnicity and Gender in the Zapatista Movement and a co-author of Here Is Tijuana! Iain Chambers teaches cultural and postcolonial studies at the Orientale University of Naples. He is the author, most recently, of Mediterranean Crossings: The Politics of an Interrupted Modernity, also published by Duke University Press.