The Paris Review visits Tosca Cafe
Thursday, October 18, 2012, 7:00 P.M., Tosca Cafe, 242 Columbus Ave. SF, CA 94133, 21 & over
City Lights Booksellers in conjunction with Tosca Cafe, The Paris Review, and Picador Books are pleased to present
The Paris Review @ Tosca Cafe
celebrating the release of
OBJECT LESSONS: The Paris Review Presents the Art of the Short Story
published by Picador Books
Moderated by Lorin Stein (The Paris Review)
with readings by Daniel Alarcón and Peter Orner
Opening words from Peter Maravelis (City Lights)
about The Paris Review:
Founded in Paris by Harold L. Humes, Peter Matthiessen, and George Plimpton in 1953, The Paris Review began with a simple editorial mission: "Dear reader," William Styron wrote in a letter in the inaugural issue, "The Paris Review hopes to emphasize creative work—fiction and poetry—not to the exclusion of criticism, but with the aim in mind of merely removing criticism from the dominating place it holds in most literary magazines and putting it pretty much where it belongs, i.e., somewhere near the back of the book. I think The Paris Review should welcome these people into its pages: the good writers and good poets, the non-drumbeaters and non-axe-grinders. So long as they're good."
Decade after decade, the Review has introduced the important writers of the day. Adrienne Rich was first published in its pages, as were Philip Roth, V. S. Naipaul, T. Coraghessan Boyle, Mona Simpson, Edward P. Jones, and Rick Moody. Selections from Samuel Beckett's novel Molloy appeared in the fifth issue, one of his first publications in English. The magazine was also among the first to recognize the work of Jack Kerouac, with the publication of his short story, "The Mexican Girl," in 1955. Other milestones of contemporary literature, now widely anthologized, also first made their appearance in The Paris Review: Italo Calvino's Last Comes the Raven, Philip Roth's Goodbye Columbus, Donald Barthelme's Alice, Jim Carroll's Basketball Diaries, Peter Matthiessen's Far Tortuga, Jeffrey Eugenides's Virgin Suicides, and Jonathan Franzen's The Corrections.
visit: The Paris Review