Film
Books in this online selection represent only a sliver of what we offer in the store. If you've got a particular book in mind and want to check on its availability, call us at 415-362-8193.

   
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Movie Speak
How to Talk Like You Belong on a Movie Set
Tony Bill
When is "groucho" not a comedian? A "seagull" not a bird? A "banana" not a fruit, and a "taco cart" not a food stand? What's the "Castle rock rule" and when should you call for a "buff & puff"? And why expect trouble when the A.D. (assistant director)...
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A Panorama of American Film Noir (1941-1953)
Raymond Borde, Etienne Chaumeton
When it appeared in France in 1955, A Panorama of American Film Noir was the first book ever on the genre. Now this classic is at last available in English translation. This clairvoyant study of Hollywood film noir is "a 'benchmark' for all later...
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Neo-Noir
Mark Bould, Kathrina Glitre, Greg Tuck
Neo-noir knows its past. It knows the rules of the game -- and how to break them. From Point Blank (1998) to Oldboy (2003), from Get Carter (2000) to 36 Quai des Orfèvres (2004), from Catherine Tramell to Max Payne, neo-noir is a transnational...
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Coming Unbuttoned
James Broughton
This witty and impudent confession is the work of a pioneer independent filmmaker whose adventures among the famous and the infamous extend from New York circles of the '30s to the avant-garde antics of San Francisco in the '60s and '70s.
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The Quay Brothers
Into a Metaphysical Playroom
Suzanne Buchan
This work is the first thorough analysis of the creative oeuvre of the Quay Brothers. Known for their animation shorts that rely on puppetry, miniatures, and stop-motion techniques, their fiercely idiosyncratic films are fertile fields for Suzanne...
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Pier Paolo Pasolini
Poet of Ashes
Pier Paolo Pasolini, Roberto Chiesi, Andrea Mancini
In this book, readers will find poems that Pasolini wrote during his brief stay in New York, interviews, and an anthology of statements, reflections, and notes on his films.
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Cinema 1
Movement-Image
Gilles Deleuze
For Deleuze, philosophy cannot be a reflection of something else; philosophical concepts are, rather, the images of thought, to be understood on their own terms.
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Cinema 2
The Time-Image
Gilles Deleuze
Discusses the theoretical implications of the cinematographic image based on Henri Bergson's theories.
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Now Write! Screenwriting
Screenwriting Exercises from Today's Best Writers and Teachers
Sherry Ellis, Laurie Lamson
An essential handbook featuring never-before-published writing exercises from the acclaimed screenwriters of Raging Bull, Ali, Terminator 2, Fame, Groundhog Day, Cape Fear, "Lost", "True Blood", "The Shield", and many other hit films and television...
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The Shadow and its Shadow
Surrealist Writings on the Cinema
Paul Hammond
Here is a classic collection of writings by the Surrealists on their mad love of moviegoing. Forty-odd theoretical, polemical, and poetical essays document Surrealism's scandalous and nonreductive take on film. The essayists include such names as...
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The Chaplin Machine
Slapstick, Fordism and the International Communist Avant-Garde
Owen Hatherley
In The Chaplin Machine, Owen Hatherley unearths the hidden history of Soviet film, art, and architecture. Turning upside down the common view that the communist avant-garde was austere and humorless, he reveals an unexpected comedic streak that found its inspiration in the slapstick of the American performers Charlie Chaplin and Buster Keaton.
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It Chooses You
Miranda July
July is an incredible artist. She's also a film director, actress and screenwriter (Me and You and Everyone We Know) and this book chronicles her strange yet endlessly intriguing creative process. She finds herself with writer's block during...
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Our Gang
A Racial History of The Little Rascals
Julia Lee
It was the age of Jim Crow, riddled with racial violence and unrest. But in the world of Our Gang, black and white children happily played and made mischief together. They even had their own black and white version of the KKK, the Cluck Cluck Klams—and the public loved it.
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Life As We Show It
Writing On Film
Brian Pera, Masha Tupitsyn
Writings about the influence of film on the cultural and individual imagination

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