Writer Karla Cornejo Villavicencio was on DACA when she decided to write about being undocumented for the first time using her own name. It was right after the election of 2016, the day she realized the story she'd tried to steer clear of was the only one she wanted to tell. So she wrote her immigration lawyer's phone number on her hand in Sharpie and embarked on a trip across the country to tell the stories of her fellow undocumented immigrants--and to find the hidden key to her own.
Looking beyond the flashpoints of the border or the activism of the DREAMers, Cornejo Villavicencio explores the lives of the undocumented--and the mysteries of her own life. She finds the singular, effervescent characters across the nation often reduced in the media to political pawns or nameless laborers. The stories she tells are not deferential or naively inspirational but show the love, magic, heartbreak, insanity, and vulgarity that infuse the day-to-day lives of her subjects.
In New York, we meet the undocumented workers who were recruited into the federally funded Ground Zero cleanup after 9/11. In Miami, we enter the ubiquitous botanicas, which offer medicinal herbs and potions to those whose status blocks them from any other healthcare options. In Flint, Michigan, we learn of demands for state ID in order to receive life-saving clean water. In Connecticut, Cornejo Villavicencio, childless by choice, finds family in two teenage girls whose father is in sanctuary. And through it all we see the author grappling with the biggest questions of love, duty, family, and survival.
In her incandescent, relentlessly probing voice, Karla Cornejo Villavicencio combines sensitive reporting and powerful personal narratives to bring to light remarkable stories of resilience, madness, and death. Through these stories we come to understand what it truly means to be a stray. An expendable. A hero. An American.
"There's nothing to do but sit down and read this book. Inside it, I feel deep in being, immersed in a frankness and a swerving bright and revelatory funkiness I've not encountered ever before concerning the collective daily life of an undocumented family in America. It's a radical human story and Karla Cornejo Villavicencio is a great writer."--Eileen Myles
"This is the book we've been waiting for. Karla Cornejo Villavicencio offers an unflinching indictment of our current immigration system, one that separates families, inflicts trauma, and every day eats away at people's dignity. At the same time, she writes about migrants in a way they've never been written about before--in all their complexity, messiness, humanity, and beauty. Cornejo Villavicencio understands in her bones that writers cannot give people voices or faces. The Undocumented Americans succeeds precisely because she sees their faces and hears their voices. Deeply personal and so superbly told, this is a work we will be talking about for a long time to come."--Roberto G. Gonzales, author of Lives in Limbo: Undocumented and Coming of Age in America
"This valuable and authentic inquiry is powerfully embellished with magical imaginings, as when she envisions a man drowning during Hurricane Sandy's last moments. [Karla] Cornejo Villavicencio's unfiltered and vulnerable voice incorporates both explosive profanity and elegiac incantations of despair, as, for example, when she internalizes the hatred toward brown people manifest in the poisoning of Flint, Michigan's water supply. She gives of herself unstintingly as she speaks with undocumented day laborers, older people working long past retirement age, and a housekeeper who relies on the botanica and voodoo for health care. Cornejo Villavicencio's challenging and moving testimonio belongs in all collections."--Booklist (starred review)
"Profoundly intimate . . . highly personal and deeply empathetic . . . Readers will be deeply moved by this incandescent account."--Publishers Weekly
"Memorable . . . compelling . . . heartwrenching . . . a welcome addition to the literature on immigration told by an author who understands the issue like few others."--Kirkus Reviews