A landmark work of bio-romanticism, Mephistos and Other Poems is the first completely new collection in five years from legendary Beat and SF Renaissance poet Michael McClure. The title sequence, "Mephistos," stems from McClure's ongoing "grafting" experiment, growing new poems from fragments of his older works. "Some Fringes" is a series of haiku-like nature poems, while the 17-part "Rose Breaths" derives from the poet's practice of meditation. The freestanding poems grouped under the title "Being" pay homage to many of McClure's collaborators and fellow travelers, such as Bruce Conner, Terry Riley, and Dave Haselwood. The book climaxes with "Song Heavy," recounting McClure's recent encounter with a beached whale in Rockport, MA, and recalling his classic "For the Death of 100 Whales," which he read at the Six Gallery in 1955—the inaugural moment of American eco-poetics.
"He is such a sweet paradox!
Like most of Shelley and the late poems of D.H. Lawrence, McClure turns the phenomenal world inside out, seeking Mind within mind."—Diane di Prima, poet
"Close attention will be rewarded in kind. Keep Mephistos near at hand, read only a poem or two at a time, let the imagery possess you. It's okay, you can trust it. It's McClure: he'll never steer you wrong."—Robert Hunter, lyricist, poet, songwriter
"In Mephistos we are again thrown into Michael McClure's lavish lair of forceful magic. Its actions are literal ones, handfuls of jewels disintegrate as a firewall rises to a solid prism. There is no poet more adept at calling forth the elements, only to fashion them later as eternal amulets for his readers. 'NEW MOON ((BLACK!)) /STAR CLOUDS/ HALOES/ Flashlight reflects/ into two small eyes.' You will find your body changed through the labyrinth these poems initiate."—Cedar Sigo, author of Stranger in Town
"Michael and I have been twisting the Dharma for twenty years now. He reads his poetry like a mad lion or a hummingbird or a soft evening tidal pool or a wild California thunderstorm. . . . His words are of a new realm of love and joy and terror. What a pleasure to play with such a perceptive artist. It's always been my great joy to make music to his words."
"[C]ertainly a genius in thought and writing it out . . . McClure is one of the few contemporaries to have understood Kerouac as a literary poet—and learned some joyous classic invention therefrom . . . Thus we have a McClure poet, a McClure natural philosopher, and a McClure prosateur and novelist. Hardly anyone in America with equal range and sharpness, liveness. What more?"—Allen Ginsberg
Michael McClure is an award-winning American poet, playwright, songwriter, and novelist. After moving from Kansas to San Francisco as a young man, he was one of the five poets who participated in the Six Gallery reading that featured the public debut of Allen Ginsberg’s landmark poem "Howl." A key figure of the Beat Generation, McClure is immortalized as Pat McLear in Jack Kerouac’s novels The Dharma Bums and Big Sur. He also participated in the ’60s counterculture alongside musicians like Janis Joplin and Jim Morrison. McClure remains active as a poet, essayist, and playwright, and lives with his wife, Amy, in the San Francisco Bay Area.