Los Angeles Stories

Los Angeles Stories

Uncut Magazine, February 2012

"It's a world at least partly familiar from fatalist noir classics from the time in which these stories are set (1940-1958), the kind of movies in which the way a character lights a cigarette tells you everything you need to know about them and how and where they may fetch up, which as a rule is nowhere they'd want to be. . . . Taken as a whole, this collection offers a panoramic view of a rapidly changing Los Angeles and its immigrant communities, rich in period detail and idiomatic dialogue, sometimes based on Cooder's own memories of growing up in the same neighborhoods in which the stories are often set."

Rolling Stone

"On his records, Ry Cooder specializes in the talking blues, modernizing the struggle and humanity in his source materials – folk and public-domain covers, the rhythms of Tex-Mex and Chicano culture – with narrative grit and immediacy. His prose, in turn, is rich in sound – echoes of blues, jazz, boleros – in this superb debut of tales set in L.A.'s Hispanic neighborhoods and on its R&B-nightclub boulevards in the Forties and Fifties. Cooder writes with Chandler-esque pepper and an eye for character. A dental technician plays killer steel guitar; a guy who collects info for the city directory is an accidental shamus. John Lee Hooker gets a cameo, and at the end of one story, a ghost hangs around his garage, listening to 78s. Cooder shouldn't stop making records. He should keep writing, too."

The Iowa Review

"The stories of Ry Cooder are a lot like his music: stately, precise, well constructed; they grab you by the throat, quietly, and never let go. . . . Cooder is a passionate historian of Los Angeles, curating its small joys and predilections, its cultural pratfalls and senseless tragedies. . . . Los Angeles Stories is an unusual book, old-fashioned but not out of fashion. Its most beautiful quality is the genuine pathos, conveyed with tact and skill, for a city that has vanished, that has always been vanishing." --Andrew J. Khaled Madigan, The Iowa Review

Sydney Morning Herald

"His stories are a little bit Pynchon-esque, in that they follow red herrings and odd U-turns much of the time. There's urban symbology everywhere: the dark jazz club, the laundromat, the fire escape, the record store, a clacking typewriter . . . The strict Los Angeles setting - the city's highs and lows romanticised ceaselessly - make them like Raymond Chandler or Mickey Spillane."

-Chris Johnston

Our Man In Boston

". . . Ryland Peter Cooder ventures into new territory with his first collection of linked shortly stories, entitled (not surprisingly) Los Angeles Stories (City Lights) . . . Eight stories are set in post World War II Los Angeles intermingling the kinds of characters and narratives that Cooder has put to good use in his songs— blue collar workers, small time criminals and all kinds of fauna to be found in the barely visible underclass."

—Robert Birnbaum, "Our Man in Boston"

'Who do you know that I don't?': A Conversation with Ry Cooder
Jan 12, 2012

"There is a feeling in the stories, as in much of his music, that something is being documented; that voices, and personal histories, are being preserved not for posterity, but against annihilation by some overriding and corrupted power."

- C.P. Heiser, LA Review of Books

Ry Cooder's Los Angeles Stories: Musician's New Book of Short Stories Memorializing Lost L.A.
Jan 11, 2012

"Cooder's Los Angeles Stories are noir-infused, glamour-free portraits of working class loners, drifters, bums, musicians (both real and fictional), and numerous other fringe types. Each speaks with his or her own individuated, idiom-riddled (but cliché-free) patois."

- Casey Burchby, LA Weekly

Ry Cooder has 'Los Angeles Stories' to tell
Dec 4, 2011

David Ulin's interview with Ry Cooder (LA Times) was syndicated, and ran in the Chicago Sun Times.

- David L. Ulin, Chicago Sun Times


"While some of the stories focus on those who end up in LA, Cooder's focus in this book is mainly about those who have called LA home for most of their lives. The way Cooder describes the neighborhoods in LA — the homes and the working class — really paints a picture that doesn’t just give you an idea of what it was like; rather, he brings these images to life, especially if you live in or visit LA today."

Book excerpt: from 'Los Angeles Stories' by Ry Cooder
Dec 4, 2011

Read an excerpt from Ry Cooder's short story collection, Los Angeles Stories!

- Los Angeles Times

Ry Cooder has 'Los Angeles Stories' to tell
Dec 4, 2011

"What Cooder's getting at, that elusive 'it,' is the authenticity of old Los Angeles, a 'nothing place,' and yet one with its own history and style. This is what he has built his work around these last several years, and what he continues to want to explore, the handmade world of people who 'aren't fancy talkers and thinkers. They don't ride any wave. They're just there. But if you go to any of those little houses, they'll tell you some stories. People will tell you the most amazing things.' "

- David L. Ulin, Los Angeles Times


"Both Cooder's plots and narrative structures are riddled with interesting surprises. Each story is presented as a mystery, but Cooder doesn’t offer obvious clues and an explanation at the denouement. The stories all have an unpredictably reflexive quality, dovetailing seemingly inconsequential details, making a story ripple with unexpected meaning."

The Pioneer Online

"From ordinary door-to-door men working for the City Directory and fired trolley drivers, to dental technicians and lots of musicians, Ry Cooder's Los Angeles Stories takes the reader on a tour of Los Angeles during the '40s and ‘50s when jazz, rock and Spanish music set the background of the time."

Sacramento News and Review

"Repo men, waitresses, tailors, drifters, grifters and women of all sorts populate these stories that will appeal not only to Cooder fans. Although dark, the stories are never hopeless. They are filled with tough characters making their way in post-World War II Los Angeles, and there's usually a gun involved."

Ry Cooder, Los Angeles Stories (City Lights Noir, 2011)
Oct 13, 2011

"Each tale has a title and a date, and early to mid-50s seems to be Cooder's oeuvre. Some of the stories echo each other as characters (or at least names) reappear. The links are tenuous except that they all take place in the City of Angels and all involve people involved in shadowy activities -- musicians, gun shop owners, pornographers, thieves, and all sorts of women."

- Rylander Quarterly On-Line

San Francisco Chronicle

"In Los Angeles Stories, his first published collection of stories, Cooder pays homage to the jazz, the blues and the Latin beat of a bygone era. He also honors a cast of boisterous musicians, some murdered, others spared to tell their gritty tales of life and death. A few famous musicians - John Lee Hooker and Charlie Parker among them - make cameo appearances in these pages, but most of the guitar players, drummers and lounge singers are as unknown as the repossession men, waitresses and mechanics they entertain in forgotten bars and derelict nightclubs."

Mother Jones

"Nostalgia aside, the book is a deeply humane history of the time before instant pop hits and sprawling superhighways. As with his records, Cooder shows himself to be a sensitive student of cultural roots, and a delicate storyteller."

Contest: The Power of Protest Music
Oct 12, 2011

Enter your favorite protest song in the Truthdig contest, and one winner will get a copy of Ry Cooder's new album along with his new book, Los Angeles Stories!

- Truthdig

Ry Cooder's Los Angeles Stories: excerpt
Oct 12, 2011

Read an excerpt from Ry Cooder's new book, Los Angeles Stories.

- Mark Frauenfelder, Boing Boing

Haunted Streets

"No matter how much music he made or how much moving he did, [Cooder] couldn't escape from the ghosts of old LA that haunted him year after year. With encouragement from his wife, he decided to exorcise them by writing a kind of ghost story about the city that once was."

- Jonah Raskin, The Redwood Coast Review, Volume 13, Number 4, Fall 2011