A name for the people of Honduras, Catrachos is a term of solidarity and resilience. In these unflinching, riveting poems, Roy G. Guzmán reaches across borders--between life and death and between countries--invoking the voices of the lost. Part immigration narrative, part elegy, and part queer coming-of-age story, Catrachos finds its own religion in fantastic figures such as the X-Men, pop singers, and the "Queerodactyl," which is imagined in a series of poems as a dinosaur sashaying in the shadow of an oncoming comet, insistent on surviving extinction. With exceptional energy, humor, and inventiveness, Guzmán's debut is a devastating display of lyrical and moral complexity--an introduction to an immediately captivating, urgently needed voice.
"Marked by poems that are lyrical and syntactically daring. . . . [Catratchos] nods to the perseverance of excavating a queer self and giving it flight."--Library Journal
"The powerful dramatic build of Roy G. Guzmán's poems bears up an opera in forte. . . . One grown in fierce female love and engaged in an America where queerness, though still under threat and often silenced, will not stay silent unless silence speaks. In Catrachos, silence, even absence, grows loud enough to fill pages."--Heid E. Erdrich
"As the son of immigrants, as a queer man, as a poet, I've been waiting for a book like Catrachos. Endlessly inventive and sonically brilliant, the poems refuse borders. . . . Roy G. Guzmán's debut is phenomenal, necessary. It has changed and recharged me."--Eduardo C. Corral
"Catrachos is a fervent, jaw-dropping debut, the kind of blistering chronicle that absolutely could not exist before this. . . . You have read stories of leaving one land for another. You have heard stories about the difficulties of coming out to a staid family and church. But those fractured songs have never been sung this fiercely. Or this well."--Patricia Smith