Capital of Pain, first published in 1926, has had a lasting impression on more readers than one might expect. Young Frenchmen between the wars carried it in their backpacks; other poets were dazzled, young and old, all discussed and often argued about this remarkable book. Indeed, it has never gone out of print in France. Today this collection is thought by many to be the key to grasping what Surrealist texts are like. It clearly shows the freshness of early Surrealism, as well as the despair of postwar trauma. Paul Eluard (1895-1952) was a founder, along with Andre Breton and Louis Aragon, of the Surrealist group and was, through the years, the most celebrated poet among that extraordinary grouping of poets. This volume, the first new translation of this work in over thirty years, presents the text of Capital of Pain in its entirety in a bilingual format. Translator Mary Ann Caws also provides an insightful and in depth survey of Eluard's poems and writings.